the exhibit in the basement of the Olympic Mills Building in the SE inner industrial area of Portland. Because I could not go back to sleep because I was going with the experience of being there laying it out and laying it out on a schematic with a pencil as well, I decided to get up and actually start to physically lay it out, not just in my head. I was surprised this happened since I have only recently started talking about the exhibit to people again after taking a hiatus allowing other events in my life to occur. It feels good to be talking with people about this again. What is another unexpected surprise is to be able to see the new layout pertaining to the physical location that I want for this exhibit, and that drawing it out, figuring out the logistics of how people are going to move through and experience what I am hoping they will, is starting to make it more tangible, more accessible, more real to me.
I am still uncertain of where the exhibit will take place but know I will find a location soon. What I am certain of is the atmosphere that needs to happen for people to feel what I inherently understand and see has happened because of the crucifixion of the feminine.
No comments:
Post a Comment